The overall focus of the film is the relationship between Benjamin and Dom, played by Cooper Koch and Jose Colon, respectively. For me, I love when a film is willing to push the boundaries of cinema and, consequently, its viewers, and Swallowed takes that challenge to another level. I will be the first to admit that I was shocked to see one of the characters fisting another character, but in the context of what was occurring it made total sense. The film also features graphic nudity and acts that aren’t typically seen in heteronormative horror films. We are front and center with the action, whether we like it or not. Whether it’s pus filled sacs or violent encounters, Carter makes it a point to never pull the camera away no matter how uncomfortable the audience may get. Smith has never been one to shy away from gore in his films and Swallowed is no different.
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After the drug run goes bad, these two friends must survive a horrific night in a backwoods hell of drugs, bugs, and obscene intimacy.īody-horror is one of those subgenres that makes most people’s skin crawl, rightfully so. All he has to do is deliver a package over the border for a friend.
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On their bittersweet, final night together before Benjamin heads to sunny LA for a bright future in gay porn, Dom decides to send him off with a wade full of cash. But the time has come for Benjamin to leave their tiny hometown for a place where he can be himself – and maybe find someone to love him back. Set in a remote township on the border between Maine and Canada, Swallowed introduces us to Benjamin (Cooper Koch) and Dom (Jose Colon) who have been best friends since they were kids – and Benjamin has been in love with Dom for almost that long. In Smith’s latest film, Swallowed, he once again returns to the genre focusing on a storyline that pushes the boundaries of conventional body-horror when two queer friends find themselves in a precarious situation after a drug run goes bad. That is until 2019 when his queer horror slasher, Midnight Kiss, was released as part of Blumhouse’s horror anthology, Into the Dark. Smith’s terrifying novel, “The Ruins.” An underappreciated horror film that is a masterclass in building dread, I was shocked to see Smith fade into horror obscurity shortly after its release. Writer-director Carter Smith first appeared on my radar with his 2008 adaptation of Scott B.
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